Since it arrived last summer, I have been reading, on and off, mostly in the evenings, The Free World: Art and Thought in the Cold War, by Louis Menand. It is a stupendous work, 18 chapters about criticism and performance, engagingly written and crammed with vivid detail. Most of it was new to me, since, while I am always interested in Thought, I don’t much follow the Arts. The book, in short, is readable, a 740- page article as from a fancy magazine. But then, Menand is a New Yorker staff writer, as well as a professor of English at Harvard University,
It is also a conundrum. The first chapter (“An Empty Sky,” is about George Kennan, architect of the policy of containment of the Soviet Union, its title taken from an capsule definition of realism by strategist Hans Morgenthau, in which nations after the war “meet under an empty sky from which the gods have departed”). The last chapter (”This is the End,”) is about America’s war in Vietnam (its title from the Raveonettes’ tribute to The Doors on the death of their vocalist, Jim Morrison).
In between are sixteen other essays: on the post-WWII history of leftist politics, literature, jurisprudence, resistance, painting, literature, race and culture, photography, dance, popular music, consumer product design, literary criticism, new journalism, and film criticism. My favorite is about how cultural anthropology displaced physical anthropology in the hands of Claude Lévi-Strauss and photographer Edward Steichen, organizer of the Museum of Modern Art’s wildly successful Family of Man exhibition in 1955
A preface begins, “This is a book about a time when the United States was actively engaged with the rest of the world,” meaning the twenty years after the end of the Second World War. Does that mean that Menand thinks the US ceased to be actively engaged with the world after 1965? The answer seems to be yes and no. When its Vietnam War finally ended, in 1975, he writes, “The United States grew wary of foreign commitments, and other countries grew wary of the United States.”